THEATRUM MUNDI
Theatre and Politics
16 – 21 August 2010
IUC Dubrovnik
This August in Dubrovnik, in the framework of the IUC course programmes, a Theatrum Mundi course, entitled "Theatre and Politics" is taking place. Since there are many overlapping issues between this project and our own, "Spaces of Identity in the Performing Sphere", hereby we attach the whole programme.
Monday, August 16th, 2010.
10.00
Opening Words
Goran Gretić
University of Zagreb
SCENES OF FORGETTING
Paper deals with possibilities of artistic presentation of relations between forgetting, remembering and forgiveness.
Discussion
Tuesday, August 17th, 2010.
10.00
Andrea Zlatar
University of Zagreb
EFFECTS OF THE REALITY. THEATRE AND THE POLITICAL
In this paper, author tries to analyze functioning of the reality as performative structure. Assuming that the political is inscribed into the reality, author elaborates two parallel phenomena: actions of civil disobedience which employ performance as deliberate form of their (self)presentation, and plays that inscribe (political) reality into its own content.
Discussion
Goran Pavlić
University of Zagreb
VIRTUOUS REVOLUTIONARINESS OF THE THEATRE
Paraphrasing the Virno's title »Virtuosity and Revolution«, I will also employ his analytical tools in my presentation. By applying his restructuring of transcendental ideological field (theoria, poiesis, praxis) to the problem of artistic articulation, I will try to elaborate the consequences of such an approach, most notably considering theatre's main structural feature: being an instance of poiesis that opens up a potential for new artistic, as well as political subjectivity. This particular order is by no means accidental since it relies on Rancière's concept of aesthetics' ontogenetic primacy over politics.
Discussion
Wednesday, August 18th, 2010.
10.00
Nenad Prokić
University of Belgrade
THEATRE ‒ EVERY POVERTY'S COLLABORATOR
Money and power have always been theatre's open wounds. On the other side, it is they, where it has always been drawing its strength from, as well as its weaknesses, depending on the particular author. Theatre has always been misused, to a great extent for political purposes, and its existence has been determined directly by politics. But, that kind of relations is inevitable, even desirable. If it wasn't like that, there wouldn't have been such figures as Stanislavski, Piscator, Kraus, Toler, Čapek, Sartre, Shakespeare
Discussion
Thursday, August 19th, 2010.
Excursion
Friday, August 20th, 2010.
10.00
Ljiljana Filipović
University of Zagreb
THE TRUTH IS ON-STAGE
There's no doubt that perfomance can be a possible strategy of collective reflection, dislocation, and reconfiguration of oneself and surrounding community. But what kind of phenomenon disables the »performative« efficacy? Psychoanalysis can help the ideological criticism with its capacity to interpret paradoxal jouissance as an exploited servant's salary for serving his Master.
Discussion
Saturday, August 21st, 2010.
10.00
Sibila Petlevski
University of Zagreb
PUBLIC INTELLECTUALS AND PHANTOM PUBLICS OF THE POST-FACTUAL AGE
This paper concentrates on the role of public intellectual and the role of media in formation and performation of public opinion. Starting form the Dewey-Lippmann debate we are testing the relevancy of the intellectual debates in the twenties for the media theory of today.
Discussion
Closing words
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Simpozij »Prostori identiteta u sferi izvedbenog« održat će se u Zagrebu od 11. do 14. veljače 2010. Prijave radova i prezentacija vrše se ispunjavanjem obrasca (koji možete skinuti ovdje) i slanjem na e-mail:
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. Rok za predaju prijava je 15. prosinca 2009. Detalji o samom simpoziju bit će objavljeni uskoro. |
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Novosti
